All right, so let me give you an example of kind of what I'm hearing.
I'm gonna exaggerate a little bit of what I'm hearing, but it's kind of like you're, you're running scales, but not really telling a story. One, two, a one, two, three, and.
[Jazz piano demonstration]
Okay.
So to me, that's kind of like a run-on sentence.
So what I would like to try instead is let's pick a small group of notes.
We're gonna create a small musical idea and try to really sing and s- and do some storytelling. So let me show you what that sounds like. One, two, a one, two, three.
[Jazz piano demonstration]
So maybe that was a little bit complicated, but, but to kind of give this a little bit more, uh, of a, a clear approach, let's just use notes from the first three, uh... Let's do the first five notes of the B-flat major scale. That's our tonal center here.
So you could go one, two, a one, two, three, and.
[Jazz piano demonstration]
Sounds better already, right? We've got more space in there.
So that's the really the big thing, is, is your run-on sentences, uh, I think, were getting in the way of it sounding like a, a musical story. Um, so we have to let it breathe.
Um, I can do the same thing with just a couple of notes. Uh, why don't you go ahead and try this. Let's use, uh, let's try these three notes, F, G, and B-flat.
These are common tones that work throughout the whole, uh, first eight bars, the A sections of this tune. So let's see what we can do just using those notes and adding some space. Here, I'll give you an example of me doing it, and then you can do it.
One, two, a one, two, three, and.
[Jazz piano demonstration]
Yeah.
Cool. All right. Hope that helps. Thanks.